Theatrical – The Tempest

This weekend, I went down to Stratford-upon-Avon to see The Tempest at the RSC Theatre.

As I wrote back in April, it’s been a busy year for me of going to the theatre, and this was the last visit of this year. I’ve already got a number of things next year, starting in mid-January, but for this year, I’m done.

I’d not seen Tempest before, and knew very little about it, but thoroughly enjoyed it. The staging is pretty epic, making use of the carcass of a ship for the stage surrounds, and a very cleverly designed floor with mirrored parts underneath. The lighting reflects off the mirrors and produces a number of different effects depending on the colour – it’s theoretically simple, but massively effective.

Additionally, they’ve done some really innovative stuff using technology and motion-capture, allowing them to project Ariel onto large mesh screens that also move, conveying the freedom of the spirit in a very effective and impressive way that would’ve kept me happy even if the rest of the play had been bobbins.

In particular, the man playing Ariel (Mark Quartly) does a fantastic job – beautifully conveying that he’s a spirit that most people can’t see, concealing himself among the stage timbers, with an outfit that shows him but also camouflages him very effectively. You forget he’s there, watching all, and then he moves and you remember and realise – it’s really quite creepy, but done in a really good way.

Mark Quartley as Ariel

I found it interesting to also see the parallels between Tempest and Midsummer Night’s Dream, the similarity of some of the themes and so on. Indeed, a lot of the stuff for the spirits in Tempest could work really well for the fairies of Midsummer Night’s Dream – and I’d like to see it done.

It’s a fabulous production. I don’t honestly know that I’d be overly bothered about seeing the play itself again (although I probably will at some point) but if you’re going to see one version of it, this one’s bloody good.