King Lear, Old Vic, London

Last weekend, I went down to London to see King Lear at the Old Vic – my second Lear this year, never having seen it before – this time starring Glenda Jackson as Lear. She’s just the start of a pretty mega cast, including Celia Imrie, Jane Horrocks and Rhys Ifans as well as a number of actors whose faces and/or voices were certainly familiar.

There’s been a lot of guff spoken about having a woman play Lear, but in the end I found it didn’t really matter. Jackson is pretty androgynous, and the play really is more about age, families, children and betrayal than whether Lear is a King or a Queen.  Personally I found it a bit jarring to hear the male pronouns (“Sir”, “Lord”, “He” etc.) while knowing the role was played by a woman, but that was more about my brain than anything else.

I really liked the production – it’s very modern, which was interesting in comparison to the much more traditional one I saw in Manchester. It’s also quite minimalist for a lot of the time, with some moving scenery and not much else. However, the storm scene is performed through projections onto billowing black plastic sheeting, which was surprisingly effective.

All told, I liked the production a lot, and still feel that I was fortunate to see it.

I felt even more fortunate to also see the “Voices Off” conversation afterwards, with Jackson, Imrie, and Horrocks all on stage talking with a presenter and Lear’s other ‘daughter’, played by Morfydd Clark. That was another forty minutes or so after the main three-and-a-half-hour production, which made for a long evening, but one that I really enjoyed.